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    <title>TASTING LIFE TWICE</title>
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    <updated>2008-05-04T16:38:42Z</updated> 
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    <id>tag:vox.com,2006:6p00c2251cb0cff219/tags/critical+thinking/</id> 
    <subtitle>*cynosure*</subtitle>  
    
    <entry>
        <title>your actions+youtube=permanent record</title>   
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        <published>2008-05-04T14:45:53Z</published>
        <updated>2008-05-04T16:38:42Z</updated>
    
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<p><br />For someone who isn&#39;t into math, I&#39;m all about the headline equations lately. 
</p><p>
One of the challenges of the world today is that you have to be very
thoughtful of your actions in public in a way you may never have had to
in the past. Politics in particular have seen how this phenomenon
works. Gaffes and debacles that might have blown over ten years ago now
have longevity and can go viral before you even realize it. Controlling
what happens when you do stupid things is near impossible with
technology like Youtube courting millions of users around the globe. </p><p>Take Monica Conyers, Detroit city council woman. Her appalling behavior will now serve as a marker for many on what not to do (like calling the bald city council president, &quot;Shrek&quot;). 
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    <entry>
        <title>if you are going to be part of a writing workshop you might…</title>   
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        <published>2007-08-16T11:15:47Z</published>
        <updated>2007-08-17T01:31:05Z</updated>
    
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        <div class="snap_preview"><p>want to be a tiny bit open-minded about feedback you receive on your work.</p>
<p>I’m part of a novel in progress workshop right now and apparently
while I was last week out, I missed a bit of subtle drama that took
place. One of the workshop members read a chunk of her work in the
class for the first time and feedback was given–except that she didn’t
want any of it. She even said that she wasn’t going to change anything
despite the 20 minutes of constructive criticism she received. She
didn’t agree with anyone and refused to consider modifying her piece.
Now keep in mind, this workshop consists of smart, kind people who have
reasonable feedback--seriously, not a mean group, not nit-picky, just
intelligent ideas and helpful comments presented in a way that doesn’t
tear apart the writing negatively, but instead offers suggestions on
clarifying, strengthening, building.</p>
<p>I don’t understand.</p>
<p>Now personally, the reason I take part in a workshop is precisely
because I WANT someone to shred my work and tell me where the holes
are, tell me where things don’t make sense and help me figure out how
to make my book better. I don’t always agree and I may not change
everything that is mentioned, but having 20 minutes of feedback from
other writers in progress, to me, is <strong>invaluable</strong>. If I
want an ego boost I’ll give it to my friends and family or hell, even
Friday Snippet it on my writing blog because those are appropriate forums where I can
share and get some Ra! Ra! Ra! time. But to really find out how to
improve what I’m writing, I have to bare my soul a little and let
people give me their true impressions, positive and negative, and be
willing to at least <em>consider</em> new ideas and directions.</p>
<p><a href="http://crystalking.files.wordpress.com/2007/08/cowell.jpg" title="cowell.jpg"><img alt="cowell.jpg" height="261" hspace="29" src="http://crystalking.files.wordpress.com/2007/08/cowell.jpg?w=200&amp;h=261" style="text-align: left" vspace="10" width="200" /></a>Maybe
that was the problem. Perhaps the only people who had read her writing
before were friends and family, people who lauded and applauded. Maybe
she was shocked when people had feedback to the contrary. I don’t know
what she read, as I wasn’t there, but it’s amazing to me that she
wouldn’t even consider revising. Every writer, regardless of their
expertise, can take advantage of constructive criticism. Gaining
perspective on your own work can help you make it stronger, figure out
where it is weak and in many cases, may just validate that you have
achieved what you were attempting.</p>
<p>Why take a workshop if you don’t want feedback on your writing????</p>
<p>It’s hard to hear people say things about your writing that you
might not want to hear. However, if you want to be a writer you better
figure out where to find a thick, sturdy tortoiseshell to cover up
with. You need to be able to withstand the slings and arrows, the
needle-thin comments that might slice you open if you aren’t careful,
the hammering of a negative review or the rejection from publishers.
Few writers get a free pass into stardom. A very precious few and if
you plan on writing it’s safer to believe that you might not get that
free pass. Protect yourself and arm yourself. Find ways to hold back
the onslaught but to learn from the challenge and improve so next time
you have to break through you have the tools to do so.</p>
<p>I understand though, that some writing groups may not gel well.
There might be people you don’t get along with or can’t relate to.
That’s when you should employ a bit of critical thinking and consider
what else you can get out of the situation. Maybe they can’t quite
figure out your own writing but what can you learn from the writing of
the others in the group? There is a lot to be said for listening to how
other people present their characters, their plots, settings, etc. Can
you see what has been done well and find ways to employ the same craft
ideas in your own writing? Or can you see things that just plain don’t
work and realize that you want to avoid, at all costs, including that
sort of failed strategy in your own book? If you can do that, then
regardless of the writing group (well, if it’s annoying v.s. toxic and
volatile), you might still be able to salvage some good learning.</p>
<p>But really, if you think your writing is a bed of fragrant roses,
don’t join a writing workshop. You’ll get fertilizer
that is bound to be wrong for your flowers.</p>
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